Book Description
In her large-scale multimedia installations, Grada Kilomba creates a critical and immersive space of storytelling, to explore what she calls the 'colonial wound', using performance, choreography, staged reading, theatre, video, photography and installation.
With her trilogy, A World of Illusions, Kilomba radically reinterprets ancient Greek myths that are usually presented to us as being universal, and delivers new, subversive narratives.
Through video stills and installation images, this publication tracks some of the processes undertaken before arriving for its first installation on the continent, at Norval Foundation. Through notes on the script and additional writings around her practice now situated within the South African context, this publication also offers a deeper consideration of Kilomba's work and practice more broadly.
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